After all of the hype and reporting surrounding the dismal performance in theatres, I finally found the time and opportunity to see Joker: Folie à Deux, starring Joaquin Phoenix, who returned after his Oscar-winning performance in the first film a few years ago. Lady Gaga stars as Harley Quinn, adding to the madness that naturally ensues, solidifying her skills as both a leading actor and a singer.
Many have criticised this movie because it’s seen as some kind of whimsical musical, which somehow reduces its complexity, intensity, or creativity. This is such foolishness, which many people who attend comic book hero movies arguably present in the hope of seeing something much more action-packed than the slow-burning, compelling, engrossing, exquisitely cinematographed, and exceptionally well-written film that tackles the issues of schizophrenia. Too many people have disliked this film because they arguably expected something based on the original formula, but instead of taking the time and patience to absorb what is going on on-screen—as well as the musical renditions by both leading actors—they’ve missed how the realm of fantasy intersects with the warped imaginations of some people who clearly require assistance. I applaud the lead performances, including Brendan Gleeson, for making these two hours of my time worthwhile in a visual artistic depiction of the making and unmaking of mental health.
In essence, “Joker: Folie à Deux” is a bold artistic statement that defies conventional comic book movie expectations by expertly blending musical elements with profound psychological exploration. The film’s exceptional performances by Phoenix, Gaga, and Gleeson, combined with stunning cinematography, create a haunting meditation on mental illness that may alienate viewers looking for traditional superhero fare but richly rewards those willing to embrace its unique vision and deeper themes. While commercially divisive, it remains an uncompromising piece of cinema that prioritizes artistic integrity over mass appeal, establishing itself as a significant evolution in both the comic book genre and the portrayal of mental health in contemporary film.